Round
and Round the
Garden
A
great English comedy by Alan Ayckbourn
from his trilogy
The Norman Conquests
Directed
by Judith Boyd
August
-September 2006
Alan Ayckbourn
Sir Alan Ayckbourn
is internationally renowned for his writing and plays such as The Norman
Conquests are regarded as classics of 20th century British theatre.
His plays are often described as being middle-class and suburban, although
this is a rather dated view of his work.
While the description
would be generally correct for his work during the 1960s and 1970s,
since the 1980s, Alan’s work has become ever more expansive, dealing
with wider social issues and often utilizing more fantastic ideas and
settings to explore his themes. He has also become a passionate advocate
of writing for young people and has written more than a dozen full length
plays for families and young people and a number of one-act plays for
children.
If one was to generalize
about Alan’s large body of work, that now covers practically five decades,
it would be that he writes about men and women, their relationships
and their general inability to live with each other. His work is also
characterized by its tragi-comedy themes and his constant willingness
to experiment with stage time and space, which led the renowned critic
Michael Billington to label him as one of
the few British playwrights to be constantly pushing the envelope of
theatre.
Sir Alan is also committed to theatre-in-the-round, for which he has
written the vast majority of his plays. It is always worth remembering
that when he stages a play in London or anyone performs one in
the proscenium arch, it is a step away from the author’s original intention.
It has frequently been stated that the definitive production of any
of Ayckbourn's plays is the premiere
production in the round in Scarborough.
Alan has a close relationship with Scarborough, where he lives and has
worked for most of his professional career. He has been artistic director
of what is now the Stephen Joseph Theatre since 1972 and has premiered
all but four plays (Christmas V Mastermind, Mr Whatnot, Jeeves
and A Small Family Business) in Scarborough.
More than half his
plays have gone on to London to be produced in the West End or at the
National Theatre. At one point, he held the record for having the most
professional productions of his work being performed simultaneously
in the West End (The Norman Conquests, Absurd Person Singular and Absent
Friends). His work has been translated into more than 40 languages and
his plays are regularly performed throughout the world
Judith
Boyd - Director
Judith joined the
Lieder Theatre in September 2001 having moved to the area from Sydney
where she has been an active member of the Castle Hill Players for almost
twenty-five years and ran the Castle Hill Youth Theatre for much of
that time. She was also a drama teacher at The Hills Grammar School
and has adjudicated at several country drama festivals in NSW. She attended
a part time Drama School in England before moving with her family to
Australia in 1978. Judith has been involved in over one hundred plays
in one way or another. In more recent years she has directed plays including
The Birthday Party, The Homecoming, Twelve Angry Men, Nuts, Agnes of God,
Oh What a Lovely War, Toad of Toad Hall, Educating Rita, and
has acted in The Homecoming, Blithe Spirit, Bold Girls, Equus, and Don’s
Party. Judith attended the writing course at NIDA in 1992, and
subsequently had plays performed at NIDA and at the National Playwrights
Conference in Canberra. Judith is an active member of the Lieder having
directed Once
A Catholic, Sylvia, Hating Alison Ashley, Urbs Urbis and
The Odd Couple (female version). She has run workshops and written
for the Lieder Youth Theatre’s 2 Friendly 4 Words and Dead One
Done, performed in The Beauty Queen of Leenane, The Memory of
Water and
Blithe Spirit, provided administrative support and promotion for
productions and operated lights for Pinocchio. She currently runs weekly
after school drama classes with the Youth Theatre Company.
Cast
| Reg |
|
David
Rayner |
| Sarah,
his wife |
|
Pauline
J Mullen |
| Ruth,
Reg’s sister |
|
Fiona
Churchill |
| Norman,
her husband |
|
Martin
Sanders |
| Annie,
Reg & Ruth’s younger sister |
|
Jenny
Hart |
| Tom |
|
Greg
Seckold |
Crew
| Director/
designer |
|
Judith
Boyd |
| Stage
manager |
|
Martin
Yeadon |
| Head
of construction |
|
John
Knops |
| Scenic
Artist |
|
Lee
Gray |
| Assisted
by |
|
Josh
Travers, Louise Boyd-Lowen Judith Boyd |
| Construction
assistance |
|
John
Hartnet, Colin Simson, Clare Hayes, Piper-May Holmes |
| Papier
mache goober experts |
|
Sarah
Harris, Katherine, Andrew & David Rayner, John Knops |
| Gardeners
|
|
Judith
Boyd, Colin Simson, Doreen Mullen, John Knops |
| Lights
operated by |
|
Paul
Fox |
| Sound
operated by |
|
Martin
Yeadon |
| prompt |
|
Melissa
Chandler Kathy Campbell |
| Tickets
|
|
Doreen
Mullen |
| Photographs
|
|
Tina
Milson |
| Front
of House manager |
|
Colin
Simson |
| Newsletter
editor |
|
Brian
Hill |
------------------------------
CAST
Martin Sanders –
Norman
He was last seen on
stage in The Tempest and last year in Treasure Island.
Other performances at the Lieder include Shatterproof,
The Ballad of Mary Brownlow, Oliver Twist, Blackrock,
Babes in the Wood The Removalists, , Forks’n All, The Homecoming of
Beorhtnoth, Pinocchio, La Dispute, Dracula and John Spicer’s
production of Hamlet.
Greg Seckold – Tom
Greg started performing
in his early years as a magician with appearances in shopping malls
and on children’s TV shows. A stint in the Carlingford Entertainers
in the late 70s and 80s saw Greg playing romantic leads, narrators and
villains (his favourite). He is currently a domestic engineer building
his own house although at one time Greg was an avid go-cart racer and
IT expert. His first adventure onto the Lieder stage was as a Spaniard
in The Odd Couple (female version) directed by Judith
Boyd last year. He has come straight from a role in The Tempest
and before that The Memory of Water.
Pauline J Mullen
– Sarah
Pauline joined the
Lieder in 1992 to stage manage Peter Pan and has been an integral part of the Company on and
off stage ever since Pauline provides essential production and wardrobe
support to all the plays and performance events staged by the Company.
Her performances include roles in The Odd Couple (female version),
Inheritance, The Ballad of Mary
Ann Brownlow, Come Back to the Five and Dime Jimmy Dean,
Jimmy Dean, Minefields and Miniskirts, The Beauty Queen of Leenane, Habeas
Corpus, The Removalists, La Dispute, Hamlet, Oliver
Twist, Wind in the Willows, Dancing at Lughnasa, Under Milk Wood, Blackrock,
Gathering the Dust, Dark of the Moon, On the Bridge, The Vagina Monologues,
On a Day in Summer in a Garden, Out of the Frying Pan, Forks’n
All and The
Man Who. She has been the Lieder’s wardrobe coordinator since 2001.
Jennifer Hart – Annie
This is Jenny’s sixth
production with the Lieder having performed in last year’s productions
of Blithe Spirit and The Odd Couple (female Version),
our 2003Christmas production of Old
Time Music Hall and in our 2004 production, Away followed by some unforgettable
characters in Judith Boyd’s hilarious production of Hating
Alison Ashley. She came to Goulburn from Newcastle in 1993 and
began performing with the Argyle Society. Her shows there include The
Merry Widow, Thanks for the Memory, Sweet Hearts, Trial by Jury, Mikado,
A
fine Romance, Nothing Like a Dame, Iolanthe,
As Time Goes By, Pirates of Penzance, Ruddigore,
Di Fledermaus and La Belle
Helene. Jenny also performed in the inaugural GRAB Festival
(Goulburn Regional Arts Bash) in 1996.
Fiona Churchill
– Ruth
Fiona
joined the Lieder in 1995 to play in Golden Valley and since then has been seen in many productions including the Farndale Murder Mystery, Oliver,
Hamlet, Blackrock, Under Milk Wood, Cosi, The Removalists and On the Bridge. In 2002 she performed in Habeas Corpus and in 2003 in Judith Boyd’s canine comedy Sylvia, and a rehearsed reading
of The
Vagina Monologues. In 2004 Fiona performed in Come Back to the Five and Dime Jimmy Dean, Jimmy
Dean and the
rehearsed reading Minefields
and Miniskirts. Last
year she performed in Hannie Rayson’s Inheritance, Blithe Spirit and The Odd Couple (female
version) as well as
our foyer production of
Fireface. She was last seen on the mainstage in The Memory of Water earlier this year. When not in a show Fiona has worked backstage as a lighting operator and is currently on the
Lieder Board of Management coordinating charity nights for the mainstage.
David Rayner – Reg
David made his debut
on stage at the age of nine in the Rockhampton Little Theatre’s Wizard of Oz. He subsequently appeared
on the small screen (briefly) with the crew from Aunty Jack in the ABC’s
Flash Nick from Jindavick. David has
been an active member of the Argyle Society and appeared in their productions
of Godspell
and La
Belle Helene. With the Argyle Society he co-wrote and directed
Who
Murdered Lenny the Louse, which was so successful it had a return
season. For the Lieder David has performed in our 2003 Christmas production
of Old
Time Music Hall directed by Stan Henderson, Away,
our peace celebration at St Saviour’s Cathedral Forks’n All (a feast for peace)
and The
Memory of Water earlier this year.