Blithe
Spirit
By Noel Coward
A
delightfully improbable farce
Directed
by
Stan
Henderson
May
2005
Noel Coward (1899-1973) was
one of the most prolific and versatile writers of the twentieth century,
having written thirty-one plays, eleven musicals, a handful of movies,
eleven books, and numerous short stories. Among his notable plays are Hay Fever, Private Lives, Present Laughter,
and of course, Blithe Spirit. In addition to writing, Coward starred
in many of his creations, including the original 1941 London production of Blithe
Spirit in which he portrayed the hapless husband Charles Condomine.That production was a smashing success, becoming the longest running non-musical
play in London to that time. It
was later made into a motion picture in 1945 starring Rex Harrison.Apart from their intrinsic qualities, Coward's plays were significant
in altering perceptions of how stage dialogue should be written and
spoken in the English theatre with his more conversational approach
Coward was knighted in 1970 and in the same year was awarded a special
Tony Award for distinguished achievement in the theatre.
Blithe Spirit was first performed
at the Opera House, Manchester in England on 16th June 1941.
This is the third production
of Blithe
Spirit at the Lieder Theatre, the first directed by Colin
Chapman in May 1952 with Carole Miller, Leigh Day, Heather Cunningham,
Robert Boyton, Moira Blake, Audrey Galland and Edith Coughlan.
The second Lieder production
was directed by John Spicer in August 1977 with Diana Polly, John
Spicer, Kathy Eglitis, Paulene Bailey, Patrick Jordan, Jeni Barringer
and Nerida McLean
Other Coward productions staged
at the Lieder -
Hayfever (1985) Private Lives (1986) & Nude with Violin (1989)
About the Director
Stan
Henderson began ballet training
with Misha Burlakov in Sydney, further studying
with Valentin Zeglovsky and Leon Kellaway. He graduated to Principal
Dancer with the Australian Ballet Company. In 1949 he travelled overseas
to dance in Buenos Aires then to Paris performing with
Les Ballets Monmartre. From there he joined the F.J.B. Theatre as
choreographer and principal dancer resident for three years.
He continued training in London with George Goncharov,
directing the London production of Yes
We Have No Pyjamas, which ran for twelve months. Stan completed
drama training with the Guildhall in London, he then taught
at Hampshire School of Speech and Drama and Pinelands College. Returning to Australia in 1956 he opened
a theatre school in the Southern Highlands of NSW.
Stan directed a vast number of plays and musicals, and worked with opera
students at the Canberra School of Music. He has been involved in
Film and Television productions of Ginger Meggs, Pharlap, Bodyline and
Army
Wives and has choreographed for A Country Practice.
At the Lieder Stan has starred in Aladdin, Mother Goose, Dick Whittington,
choreographed Dinkum Assorted, Dancing at Lughnasa and directed Humpty
Dumpty and The Farndale Murder Mystery. He last
appeared on the Lieder stage in John Spicer’s 2000 production of Dark
of the Moon. In 2003 Stan took over from Mary Spicer to direct
A Month
of Sundays and later that year directed and choreographed
our Old
Time Music Hall.
Cast
In order of their appearance
| Edith (a maid) |
|
Jenny Hart |
| Ruth |
|
Christine Bentley |
| Charles |
|
Stephen Hart |
| Doctor Bradman |
|
Richard Shoppee |
| Mrs Bradman |
|
Fiona Churchill |
| Madam Arcarti |
|
Judith Boyd |
| Elvira |
|
Heather Edwards |
The action of the play passes
in the living room of Charles Condomine’s house in Kent
Act One
Scene
1
– Before dinner on a summer evening
Scene
2
– After dinner
Scene
3
– The next morning
Scene
4
– Later the following afternoon
Act Two
Scene
1–
Early evening a few days later
Scene
2
– After dinner a few days later
Scene
3
– Several hours later
Production
| Director |
|
Stan
Henderson |
| Stage
manager |
|
Kathy
Campbell |
| ASM |
|
Oliver
Doebler & Ellie McMahon |
| Wardrobe
design & coordination |
|
Pauline
J Mullen |
| Poster
design |
|
Eben
Nigro |
| Set
design |
|
John
Knops & Chrisjohn Hancock |
| Set
construction |
|
John
Knops |
| Assisted
by |
|
Jennifer
Hart & Gosh Waters |
| Sound |
|
Sarah
Harris |
| Recording
assistance |
|
Peter
McLaren |
| Lights |
|
Melissa
Hillyar |
| Rigging
assistance |
|
Ellie
McMahon, Gosh Waters, Ben Backhouse |
| Prompt |
|
Julie
Salway |
| Photography |
|
Craig
Edwards |
| Tickets |
|
Doreen
Mullen |
| Front
of House Manager |
|
Colin
Simson |
| Newsletter
editor |
|
Brian
Hill |
Christine
Bentley
– Ruth
Christine’s clear diction and ringing tones have benefited many a Lieder
production since she first appeared here for John Spicer in Noel Coward’s
Nude
with Violin. Her subsequent stage activities have included
sharing the favours of Ian Croker and Phillip Harris in another Coward
play Design
for Living, and having a curiously spaced relationship with
Des Storrier’s character in Same Time Next Year. Other plays include
Ladies in Retirement, Daylight Saving, House on the Cliff and
Dark
of the Moon (2000). Her most recent appearance was as John
Spicer’s daughter, Julia in A Month of Sundays. Previous
to Lieder, Christine was involved as both actor and director in the
Crookwell Amateur Dramatic Society, and at Sydney’s Marian Street
Theatre.
Judith Boyd
– Madam Arcarti
Judith joined the Lieder Theatre in September 2001 having moved to the
area from Sydney where she has been
an active member of the Castle Hill Players for almost twenty-five
years and ran the Castle Hill Youth Theatre for much of that time,
teaching drama at The Hills Grammar School and adjudicating at several
country drama festivals in NSW. She attended a part time Drama School in England before moving with
her family to Australia in 1978. Judith
has been involved in over one hundred plays in one way or another.
In more recent years she has directed plays including The Birthday Party, The Homecoming,
Twelve Angry Men, Nuts, Agnes of God, Oh What a Lovely War, Toad of
Toad Hall, Educating Rita, and has acted in The Homecoming, Blithe Spirit, Bold Girls,
Equus, and Don’s Party. Judith attended the writing course at NIDA in 1992,
and subsequently had plays performed at NIDA and at the National Playwrights
Conference in Canberra. At the Lieder
Judith has directed Once A Catholic, Sylvia, and Hating
Alison Ashley. In 2003 she ran workshops and wrote for the
Lieder Youth Theatre’s 2 Friendly 4 Words, performed in The Beauty Queen of Leenane,
provided administrative support and promotion for productions and
operated lights for Pinocchio. She is currently president of the Lieder’s Board of
Management.
Kathy Campbell
- Stage manager
Kathy has decided to try something different at the Lieder. Her new role
follows on from attending stage management workshops at the theatre
conducted by Brian Richardson earlier this year. On stage Kathy was
last seen in Inheritance
in March and last year in Come Back to the Five and Dime Jimmy Dean,
Jimmy Dean and Hating Alison Ashley directed by Judith
Boyd. In 2003 she performed in Old Time Music Hall directed by Stan
Henderson. Kathy joined the Lieder in 1993 to perform in Steel
Magnolias. Since then she has worked on numerous productions
with Chrisjohn Hancock, John Spicer, Judith Boyd and Stan Henderson.
Performances include Humpty Dumpty, The Curious Savage, Too Many Cooks, Skirmishes, Hotel Sorrento,
House on the Cliff, Dinkum Assorted, On the Bridge, Dark
of the Moon, The Farndale Murder Mystery, Summer of the Seventeenth Doll,
Dracula,
Pinocchio,
Once
a Catholic and Forks’n All (a feast for peace). Kathy
is on the Lieder Board of Management.
Fiona Churchill
– Mrs Bradman
Fiona joined the Lieder in 1995 to play in Golden Valley.
Since then she has been seen in many productions including the Farndale Murder Mystery, Oliver, Hamlet, Blackrock, Under Milk Wood, Cosi, and On
the Bridge. In 2002 she performed in Habeas Corpus and in
2003 in Judith Boyd’s canine comedy Sylvia.
That year she also performed in two rehearsed reading at the Theatre,
The Man Who and The Vagina Monologues. Last year
Fiona performed in Come Back to the five and Dime Jimmy Dean, Jimmy Dean and the
rehearsed reading Minefields and Miniskirts.
She began this year playing in Hannie Rayson’s Inheritance.
Fiona has worked backstage as a lighting operator and is currently
on the Lieder Board of Management coordinating charity nights for
the mainstage.
Heather Edwards
- Elvira
Heather’s busy year at the Lieder in 2004 included performing in Away,
the world premiere production of an amazing local Goulburn story The
Ballad of Mary Ann Brownlow, so successful it is to be revived
for a return season this year,
Come Back to the Five and Dime Jimmy Dean,
Jimmy Dean, and the rehearsed reading of Minefields and Miniskirts.
In 2002 Heather played in our comedy production of Habeas Corpus, and in 2001
she performed in Dracula and Oliver Twist. Her previous
roles at the Lieder include the Mouse with the Long tail in Alice
in Wonderland, a lovely collection of Welsh women in our 1999
production of
Under Milkwood, and Thelma in Stan Henderson’s hilarious production
of The
Farndale Avenue Housing Estate
townswomen’s Guild Dramatic Society murder Mystery – Murder at Checkmate
Manor
Jennifer Hart
– Edith
This is Jenny’s fourth production with the Lieder having provided many
of the highlights in our Christmas production of Old Time Music Hall directed
by Stan Henderson in 2003 and playing Vic in our 2004 opening production,
Away, directed by Chrisjohn Hancock, followed by some unforgettable
characters in Judith Boyd’s hilarious production of Hating
Alison Ashley. She came to Goulburn from Newcastle in 1993 and began
performing with the Argyle Society. Her shows there include The
Merry Widow, Thanks for the Memory, Sweet Hearts, Trial by Jury, Mikado,
A
fine Romance, Nothing Like a Dame, Iolanthe, As Time Goes By, Pirates
of Penzance, Ruddigore, Di Fledermaus and La Belle Helene. Jenny also
performed in the inaugural GRAB Festival (Goulburn Regional Arts Bash)
in 1996.
Stephen Hart
– Charles
Blithe
Spirit is Stephen’s first production with the Lieder. He says he likes to sing
tenor and consequently has performed in a number of shows with the
Argyle Musical Society including Iolanthe, Die Fledermaus, Pirates
of Penzance, Ruddigore and in 2003 La Belle
Helene. As well as singing Stephen enjoys playing the piano
and walking.
Richard Shoppee
– Dr Bradman
Richard has been an active member of Lieder since 1998, involved in fundraising
activities, Front of House duties and on the Lieder Board of Management.
This is his fourth appearance on the Lieder stage, his first being
as Mr Brownlow in Chrisjohn Hancock’s 2001 production of Oliver Twist, followed by
the role of Peter in A Month of Sundays directed by Stan Henderson in 2003.Last
year he played Dr Morton in the world premiere of the locally written
play The
Ballad of Mary Ann Brownlow. Richard also had a performing role
in the Company’s peace festival performances at St Saviour’s Cathedral,
Fork’s
n All (a feast for peace).